Adélaïde Feriot

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Adélaïde Feriot

&

Atelier
Texts
Bio
Contacts
More

Aux doigts de rose II, 2021.
Capture d’une aurore Australe.
Pièce pour 1 personne de 170 cm.
Velours, coton, pigments, plomb, partition.
Interprétation : Ange.
Centre Pompidou Paris.

Nuit noire, ciel à 360°.
Les sons qui sortaient de sa bouche ne revenaient pas à ses oreilles.
Absence de matière pour les renvoyer.
Le sang et l’eau circulaient dans son corps en silence.
Le ton pourpre que le frappement de ses mains causait, rappelait la couleur du jour naissant.
Les doigts de rose de l’aurore.

©Photo : Gerald Petit

Aux doigts de rose II, 2021.
Capture d’une aurore Australe.
Pièce pour 1 personne de 170 cm.
Velours, coton, pigments, plomb, partition.
Centre Pompidou Paris.

Nuit noire, ciel à 360°.
Les sons qui sortaient de sa bouche ne revenaient pas à ses oreilles.
Absence de matière pour les renvoyer.
Le sang et l’eau circulaient dans son corps en silence.
Le ton pourpre que le frappement de ses mains causait, rappelait la couleur du jour naissant.
Les doigts de rose de l’aurore.

©Photo : Gerald Petit

Aux doigts de rose I, 2021.
Capture d’une aurore Boréale.
Pièce pour 1 personne de 170 cm.
Velours, coton, pigments, plomb, partition.
Interprétation : Mathilde.
Centre Pompidou Paris.

Nuit noire, ciel à 360°.
Les sons qui sortaient de sa bouche ne revenaient pas à ses oreilles.
Absence de matière pour les renvoyer.
Le sang et l’eau circulaient dans son corps en silence.
Le ton pourpre que le frappement de ses mains causait, rappelait la couleur du jour naissant.
Les doigts de rose de l’aurore.

©Photo : Gerald Petit

Aux doigts de rose II, 2021.
Capture d’une aurore Australe.
Pièce pour 1 personne de 170 cm.
Velours, coton, pigments, plomb, partition.
Centre Pompidou Paris.

Nuit noire, ciel à 360°.
Les sons qui sortaient de sa bouche ne revenaient pas à ses oreilles.
Absence de matière pour les renvoyer.
Le sang et l’eau circulaient dans son corps en silence.
Le ton pourpre que le frappement de ses mains causait, rappelait la couleur du jour naissant.
Les doigts de rose de l’aurore.

©Photo : Gerald Petit

Aux doigts de rose I&II, 2021.
Velours, coton, pigments, plomb, partition.
Centre Pompidou Paris.

Nuit noire, ciel à 360°.
Les sons qui sortaient de sa bouche ne revenaient pas à ses oreilles.
Absence de matière pour les renvoyer.
Le sang et l’eau circulaient dans son corps en silence.
Le ton pourpre que le frappement de ses mains causait, rappelait la couleur du jour naissant.
Les doigts de rose de l’aurore.

©Photo : Gerald Petit

Aux doigts de rose I, 2021.
Capture d’une aurore Boréale.
Pièce pour 1 personne de 170 cm.
Velours, coton, pigments, plomb, partition.
Centre Pompidou Paris.

Nuit noire, ciel à 360°.
Les sons qui sortaient de sa bouche ne revenaient pas à ses oreilles.
Absence de matière pour les renvoyer.
Le sang et l’eau circulaient dans son corps en silence.
Le ton pourpre que le frappement de ses mains causait, rappelait la couleur du jour naissant.
Les doigts de rose de l’aurore.

©Photo : Gerald Petit

Insulaire (avant l’orage), 2016-2020.
Piece for 1 person 170cm tall.
Velvet, cotton.
520x520cm.
With the help of Julia Richert Lebon.
Célia Marthe - IAC Villeurbanne.

Inspired by the scientific diagrams of the visual field, Insulaire is displayed as a drawing on the floor. It captures the colour of a stormy sky, translated into velvet sections which create shiny and unpredictable effects as we gradually skirt it. If we stand in the middle, we could open our mind to this sketch horizon.
Insulaire is also wear as a cape by a still female performer, as she brings the sky on her shoulders.

©Thomas Lannes

Insulaire (avant l’orage), 2016-2020.
Piece for 1 person 170cm tall.
Velvet, cotton.
520x520cm.
With the help of Julia Richert Lebon.
Célia Marthe - IAC Villeurbanne.

Inspired by the scientific diagrams of the visual field, Insulaire is displayed as a drawing on the floor. It captures the colour of a stormy sky, translated into velvet sections which create shiny and unpredictable effects as we gradually skirt it. If we stand in the middle, we could open our mind to this sketch horizon.
Insulaire is also wear as a cape by a still female performer, as she brings the sky on her shoulders.

©Thomas Lannes

Insulaire (avant l'orage) - IAC Villeurbanne - Interpretation Célia Marthe

Insulaire (avant l’orage), 2016-2020.
Piece for 1 person 170cm tall.
Velvet, cotton.
520x520cm.
With the help of Julia Richert Lebon.
IAC Villeurbanne.

Inspired by the scientific diagrams of the visual field, Insulaire is displayed as a drawing on the floor. It captures the colour of a stormy sky, translated into velvet sections which create shiny and unpredictable effects as we gradually skirt it. If we stand in the middle, we could open our mind to this sketch horizon.
Insulaire is also wear as a cape by a still female performer, as she brings the sky on her shoulders.

©Thomas Lannes

Insulaire (avant l’orage), 2016-2020.
Piece for 1 person 170cm tall.
Velvet, cotton.
520x520cm.
With the help of Julia Richert Lebon.
Célia Marthe - IAC Villeurbanne.

Inspired by the scientific diagrams of the visual field, Insulaire is displayed as a drawing on the floor. It captures the colour of a stormy sky, translated into velvet sections which create shiny and unpredictable effects as we gradually skirt it. If we stand in the middle, we could open our mind to this sketch horizon.
Insulaire is also wear as a cape by a still female performer, as she brings the sky on her shoulders.

©Adélaïde Fe

Insulaire (avant l’orage), 2016-2020.
Piece for 1 person 170cm tall.
Velvet, cotton.
520x520cm.
With the help of Julia Richert Lebon.
IAC Villeurbanne.

Inspired by the scientific diagrams of the visual field, Insulaire is displayed as a drawing on the floor. It captures the colour of a stormy sky, translated into velvet sections which create shiny and unpredictable effects as we gradually skirt it. If we stand in the middle, we could open our mind to this sketch horizon.
Insulaire is also wear as a cape by a still female performer, as she brings the sky on her shoulders.

©Thomas Lannes

Laurier, 2019.
Lead, cotton, Polyvinyl chloride, charcoal, flowers.
ART3, Valence.

©Phoebé Meyer

Laurier, 2019.
Lead, cotton, Polyvinyl chloride, charcoal, flowers, .
ART3, Valence.

©Gerald Petit

Laurier, 2019.
Lead, cotton, Polyvinyl chloride, charcoal, flowers, ora.
ART3, Valence.

©Phoebé Meyer

Laurier, 2019.
Lead, cotton, Polyvinyl chloride, charcoal, flowers.
Costumes : Pierre Antoine Vettorello.
ART3, Valence.

©Adélaïde Feriot

Laurier, 2019.
Lead, cotton, Polyvinyl chloride, charcoal, flowers.
ART3, Valence.

©Phoebé Meyer

Laurier, 2019.
Lead, cotton, Polyvinyl chloride, charcoal, flowers.
Costumes : Pierre Antoine Vettorello.
ART3, Valence.

©Adélaïde Feriot

Chardon 1, 2020.
Lead, cotton, Polyvinyl chloride, charcoal, flowers.
ART3, Valence.

©Phoebé Meyer

Hollyhock 1, 2020.
Chardon 2, 2020
Lead, cotton, Polyvinyl chloride, charcoal, flowers.
ART3, Valence.

©Phoebé Meyer

Hollyhock 2, 2020.
Lead, cotton, Polyvinyl chloride, charcoal, flowers.
ART3, Valence.

©Phoebé Meyer

RLS-Extract.mov

Regarder le soleil, 2019.
Capture of SUZANNE.
Lead, cotton, pigments, oral partition.
With the help of Eric Feriot and Gerald Petit.
Palais de Tokyo, Paris.

©Photo : Benjamin Petiet

Regarder le soleil, 2019.
Capture of SUZANNE.
Lead, cotton, pigments, oral partition.
Musical composition : Kerwin Rolland.
Interpretation : SUZANNE.
Costumes : Pierre Antoine Vettorello.
With the help of Eric Feriot and Gerald Petit.
Palais de Tokyo, Paris.

©Photo : Ayka Lux

Regarder le soleil, 2019.
Capture of SUZANNE.
Lead, cotton, pigments, oral partition.
Musical composition : Kerwin Rolland.
Interpretation : SUZANNE.
Costumes : Pierre Antoine Vettorello.
With the help of Eric Feriot and Gerald Petit.
Palais de Tokyo, Paris.

©Photo : Ayka Lux

Regarder le soleil, 2019.
Capture of SUZANNE.
Lead, cotton, pigments, oral partition.
With the help of Eric Feriot and Gerald Petit.
Palais de Tokyo, Paris.

©Photo : Benjamin Petiet

Regarder le soleil, 2019.
Capture of SUZANNE.
Lead, cotton, pigments, oral partition.
Musical composition : Kerwin Rolland.
Interpretation : SUZANNE.
Costumes : Pierre Antoine Vettorello.
With the help of Eric Feriot and Gerald Petit.
Palais de Tokyo, Paris.

©Photo : Ayka Lux

Nuit lavande, 2019.
Capture of a lavender sky.
Silk, squid ink, blackberry, elderberry, methylene blue.
With the help of Mathilde Chassaigne.
Palais de Tokyo, Paris.

Ce projet a été sélectionné par la commission mécénat de la Fondation des Artistes qui lui a apporté son soutien.

©Photo : Ayka Lux

Nuit lavande, 2019.
Capture of a lavender sky.
Silk, squid ink, blackberry, elderberry, methylene blue.
With the help of Mathilde Chassaigne.
Palais de Tokyo, Paris.

Ce projet a été sélectionné par la commission mécénat de la Fondation des Artistes qui lui a apporté son soutien.

©Photo : Ayka Lux

Nuit lavande, 2019.
Piece for 15 singers.
Velvet, silk, pigments, breath.
Musical composition : Héloïse Derly.
Interpretation : Héloïse Derly, Ana Rita Teodoro, SUZANNE, Fanny Ansel, Caroline Collin, Céline Peran.
Costumes : Pierre Antoine Vettorello.
Dramaturgy : Noémie Stevens.
Palais de Tokyo, Paris.

Ce projet a été sélectionné par la commission mécénat de la Fondation des Artistes qui lui a apporté son soutien.

©Photo : Ayka Lux

Nuit lavande, 2019.
Piece for 15 singers.
Velvet, silk, pigments, breath.
Musical composition : Héloïse Derly.
Interpretation : Héloïse Derly, Ana Rita Teodoro, SUZANNE, Fanny Ansel, Caroline Collin, Céline Peran.
Costumes : Pierre Antoine Vettorello.
Dramaturgy : Noémie Stevens.
Palais de Tokyo, Paris.

Ce projet a été sélectionné par la commission mécénat de la Fondation des Artistes qui lui a apporté son soutien.

©Photo : Ayka Lux

Nuit lavande, 2019.
Piece for 15 singers.
Velvet, silk, pigments, breath.
Musical composition : Héloïse Derly.
Interpretation : Héloïse Derly, Ana Rita Teodoro, SUZANNE, Fanny Ansel, Caroline Collin, Céline Peran.
Costumes : Pierre Antoine Vettorello.
Dramaturgy : Noémie Stevens.
Palais de Tokyo, Paris.

Ce projet a été sélectionné par la commission mécénat de la Fondation des Artistes qui lui a apporté son soutien.

©Photo : Ayka Lux

Nuit lavande - Palais de Tokyo - Sound piece Héloïse Derly - Interpretation Héloïse Derly, Ana Rita Teodoro, SUZANNE, Fanny Ansel, Caroline Collin, Céline Peran - Costumes Pierre Antoine Vettorello

Nuit lavande, 2019.
Piece for 15 singers.
Velvet, silk, pigments, breath.
Musical composition : Héloïse Derly.
Interpretation : Héloïse Derly, Ana Rita Teodoro, SUZANNE, Fanny Ansel, Caroline Collin, Céline Peran.
Costumes : Pierre Antoine Vettorello.
Dramaturgy : Noémie Stevens.
Palais de Tokyo, Paris.

Ce projet a été sélectionné par la commission mécénat de la Fondation des Artistes qui lui a apporté son soutien.

©Photo : Ayka Lux

Avaler l'horizon, 2019.
Capture d'un coucher de soleil.
La manutention - Palais de Tokyo, Paris.

©Benjamin Petiet

Laurier, 2019.
Lead, cotton, Polyvinyl chloride, charcoal, flowers.
Musical composition - Interpretation : Ana Rita Teodoro based on Fonte do Salgueirinho Adelia Garcia.
Costumes : Pierre Antoine Vettorello.
Palais de Tokyo, Paris.

©Ayka Lux

Laurier, 2019.
Lead, cotton, Polyvinyl chloride, charcoal, flowers.
Musical composition - Interpretation : Ana Rita Teodoro based on Fonte do Salgueirinho Adelia Garcia.
Costumes : Pierre Antoine Vettorello.
Palais de Tokyo, Paris.

©Ayka Lux

Laurier, 2019.
Lead, cotton, Polyvinyl chloride, charcoal, flowers.
Palais de Tokyo, Paris.

©Benjamin Petiet

Nuit lavande - Palais de Tokyo - Sound piece Héloïse Derly - Interpretation Héloïse Derly

Nuit lavande - Palais de Tokyo - Sound piece Héloïse Derly - Interpretation Héloïse Derly

©Photo : Adélaïde Feriot

Avaler l'horizon, 2019.
Capture d'un coucher de soleil.
La manutention - Palais de Tokyo, Paris.

©©Photo : Ayka Lux

Brune, 2019.
Lead, cotton, voices.
Sound piece : Fanny Ansel based on Las fielairas (Occitan song)
Interpretation : Fanny Ansel, Caroline Collin, Céline Peran.
Costumes : Pierre Antoine Vettorello.
Palais de Tokyo, Paris.

©Ayka Lux

Brune, 2019.
Lead, cotton, voices .
Palais de Tokyo, Paris.

©Ayka Lux

Brune, 2019.
Lead, cotton, voices.
Sound piece : Fanny Ansel based on Las fielairas (Occitan song)
Interpretation : Fanny Ansel, Caroline Collin, Céline Peran.
Costumes : Pierre Antoine Vettorello.
Palais de Tokyo, Paris.

©Ayka Lux

Melancholia, 2019.
Capture of boreal and austral skies.
Silk, squid ink, polyesther, jasper.
2 x 400 x 400 cm.

La Virreina, Barcelone.

Man is fascinated by the sky and its multiple stars patterns. Standing at a different position on the globe, observers could gaze at different skies: Austral and Boreal one. To bring these perceptions back together, on the same plane, Melancholia makes reference to the rounded representation of the Boreal and Austral constellations. Personified by two people wearing capes, Melancholia is a try to meet various realities.

© Adélaïde Feriot

Melancholia, 2019.
Capture of boreal and austral skies.
Silk, squid ink, polyesther, jasper.
2 x 400 x 400 cm.

La Virreina, Barcelone.

Man is fascinated by the sky and its multiple stars patterns. Standing at a different position on the globe, observers could gaze at different skies: Austral and Boreal one. To bring these perceptions back together, on the same plane, Melancholia makes reference to the rounded representation of the Boreal and Austral constellations. Personified by two people wearing capes, Melancholia is a try to meet various realities.

© Gerald Petit

Recuerda el fuego de agosto, 2018.
Capture of a sky in august.
Silk, cotton, saffron, St John’s wort, artificial human blood, squid ink.
230X340cm.
Sant Andreu Contemporani, Barcelona.

A sunset, on August 15th, spreads out its graduation of brilliant reds while we try to behold its intensity and its extend. Recuerda el fuego de agusto is the fragment of it.
Suspended through the space, it has to interrupt the meander as a proper partition does. The piece uses natural element, designed and coloured by the hand of the artist : silk, squid ink, saffron, Saint John's wort. The red part takes the tone of fake blood, a way to symbolize that the human intervention on Nature could only be artificial.

©Photo : Adélaïde Feriot

Recuerda el fuego de agosto, 2018.
Capture of a sky in august.
Silk, cotton, saffron, St John’s wort, artificial human blood, squid ink.
230X340cm.
Sant Andreu Contemporani, Barcelona.

A sunset, on August 15th, spreads out its graduation of brilliant reds while we try to behold its intensity and its extend. Recuerda el fuego de agusto is the fragment of it.
Suspended through the space, it has to interrupt the meander as a proper partition does. The piece uses natural element, designed and coloured by the hand of the artist : silk, squid ink, saffron, Saint John's wort. The red part takes the tone of fake blood, a way to symbolize that the human intervention on Nature could only be artificial.

©Photo : Adélaïde Feriot

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